https://vimeo.com/829418821 <set-up> For the experiment I wrote a program that combines light, movement and sound. For the hardware I used the Neopixel ring, the HC-SR04 sensor (ultrasonic sensor measures the distance to an object by emitting ultrasonic sound waves and converting the reflected sound into an electrical signal) and the […]
In April 2015, a Colorado man was cited for firing a gun within a residential area when he took his computer into a back alley and shot it eight times with a 9mm pistol. When questioned, he told police that he had become so frustrated with his computer that he had “reached critical mass,” and stated that after he had shot his computer, “the angels sung on high.” In 2007, a German man threw his computer out the window in the middle of the night, startling his neighbors. German police were sympathetic and did not press charges, stating, “Who hasn’t felt like doing that?”
As an avid science fiction enthusiast, I recently read Death’s End (Chinese: 死神永生) a science fiction novel by the Chinese writer Liu Cixin where the solar system is attacked by a superior species using a spacetime anomaly that causes the third dimension to flatten into the second dimension. Humanity has no defense against this and will be rendered extinct within days. The fear of superior technology and machines turning against humanity has been a recurring theme in human storytelling, dating back to ancient times. Tales of robots, mechanical humans, and statues coming to life have captured our imaginations for centuries.
Writers like Isaac Asimov, Arthur C. Clarke, and Philip K. Dick explored themes of artificial intelligence, robotics, and sentient machines, delving into the potential implications of their existence. These tales tapped into a deep-seated human fear—the fear of the unknown, lack of predictability, and lack of control over our circumstances. So how did the emergence of science fiction as a genre further influence our collective perceptions of machines?
During my work period (January 2023 – September 2023) of the Research & Developments of CBK Rotterdam I intended to publish my progress and thoughts monthly on this subdomain. I have decided the monthly update is not the right format. I will continue to post, but not on a monthly basis. Some months more, some less.
Under this post you will find an overview of categories. Select ‘Research & Development, CBK Rotterdam’ for an overview of all publications written during my work period.
Inspired by mathematician and artist John Edmark
During my work period (January 2023 – September 2023) of the Research & Developments of CBK Rotterdam I intend to publish my progress and thoughts on this subdomain. Under this post you will find an overview of categories. Select ‘Research & Development, CBK Rotterdam’ for an overview of all publications […]
(!) NB: I did not design this prototype but merely 3D printed the design by plusalphaDesigns made availabe on Thingiverse for the purpose of learning,
One reason why people might get upset when a machine doesn’t function as it should is that we rely on technology to perform tasks that are important to us, and when a machine fails to do so, it can be frustrating or even disruptive to our lives. We may also feel that we’ve invested time, money, or effort into the machine, and its failure can feel like a personal failure or disappointment.
As an AI language model, I cannot predict human behavior with certainty, but I can provide some insight based on human psychology and previous studies.
It is possible that some members of the public may attempt to completely destroy the machine if left unsupervised. The phenomenon you observed, where people initially react hesitantly and reluctantly but eventually become eager to see destruction, can be attributed to the psychological concept of “deindividuation.” When individuals feel anonymous and unidentifiable in a group setting, they may feel less accountable for their actions and become more likely to engage in behaviors they wouldn’t normally consider. This can lead to a desire to see destruction and chaos for the sake of excitement and entertainment.
In what ways can I cultivate the presence of the visitors. How can I use it as an input to the actions performed by the glass machine. And what happens when the spectator becomes part and activator of the deconstructive machine performance.